Heroes, heroes everywhere!!

I've been looking to the music scene for some inspiration for a hero. There seems to be plenty, but which will I choose? Bonnie Taylor is holding out for a hero. Metallica’s hero of the day isn’t John Lennon’s working class hero. Thank goodness we don’t believe as Tina Turner does, because she doesn’t need another hero. I do. I always need another hero. Bring on the hero and bring him on now. My friend is like Neil Young, sharing appreciation for the western hero as does ELO with and even wilder western hero. Then there’s Loverboy’s home town hero, Terri Clarke’s unsung hero and the Days of Yore sole hero while Jamie O’Neil has somebody’s hero, but it seems he doesn’t belong to Trixter because according to them nobody’s a hero. There are all the other heroes, the list goes on… TV hero, Juke box hero, war torn hero, space-age hero, Zero the hero and let’s not forget yesterday’s hero (though he’s probably a bit out-of-date for us LOL). And the birth of a hero probably means a series or a very long wait! What we want is for our heroine to join Emery in holding out for a hero or, no wait, yes, yes… I’ll have what Reel Big Fish is having – a brand new hero!! Will you join me? I promise to share!

Our Hero has a 'Soft-Spot"

Don't we all love a great hero? Of course, that's why we read and (some of us) write romance. Recent conversations have brought up the issue of how strong (or alpha) writers should make the hero.
One statement kept coming up. 'He should never be weak.' The last thing writers want to portray is a weak hero but how to make him a sensitive new-age guy while still have the strength to take the 'hero' role of a story is the balancing act of every writer who wishes to steer away from the true alpha portrayal.
But even an alpha needs a soft-spot.
Cynthia VanRooy says most romance novels portray the hero as the macho, alpha male type character. So, how does the writer develop him further? She says to “create a hero the reader will fall in love with… by showing the little boy within the man.”
Well, little boy within the man, hmmm… my DH quoted for a good many years that he was just a “growing boy”. Please let the man emerge, and quickly! LOL
Cynthia continues ”I don’t mean you should have him [the hero] exhibiting childish, immature behavior, but rather show what hurts him, excites his enthusiasm, makes him proud. Show his soft spot. Is he a sucker for kids, does he love animals, worry about his mother? You can get away with a lot in terms of macho behavior… as long as he demonstrates what Suzanne Brockmann refers to as the save-the-kitty factor”.
How to portray the ‘save-the-kitty factor’ will vary with each hero, but let’s never forget to show his soft-spot – especially the one in his heart for the heroine.